Here’s an unranked list of three comics I read this year. All have my strongest recommendation.
A comics masterpiece that people will still be talking about in 20 years. The book reads like a fusion of Scott McCloud’s Understanding Comics and Craig Thompson’s Blankets – the formalist mastery of the former, the emotional heft of the latter. Mazzuchelli is in absolute control of every page and panel, and te narrative builds to an emotional crescendo as surprising as it is powerful. The physical book itself deserves special attention; everything from the shape and texture of the binding and cover to the CYMK-focused color scheme of the art itself makes it an object of fetishistic beauty. When I finished the book, drained but happy, it was the endpapers that pushed me over the edge into tears. A must-read for anyone who likes words or pictures.
I’m on-record as to what a pleasant surprise I found the Umbrella Academy, but I still wasn’t prepared for the assured statement and good comics that is Dallas. This is a Great American Comic, willing to wrangle with big issues and bigger themes than anything else out there. Dallas is about the American obsession with (and desensitization to) violence, the psychic scars of Vietnam, and the assassination of JFK as the focal point around which the American 20th Century Experience revolves. Don’t worry, the comic still has men grafted to Martian monkeys, phase-shifting kung-fu six-year-olds, and more daddy issues than Oedipus Rex, but Dallas ups the stakes with time travel (within time travel (within time travel…)), French surrealism, and serial killers in Cinnamaroll masks. The emotional baggage of the characters gets mixed up with the emotional baggage of America and the result is a punchy, heady stew of mainstream comics at their best: fun-as-hell to read in an afternoon, but packed with ideas that resonate for weeks.
Nijigahara Holograph by Inio Asano
I read it, and then I read it again. Immediately, which I never do. Then I read it again the next day. That weekend, I bought it from Book-Off and I read it a fourth time, in Japanese. This is a good book and it deserves your attention. The level of craft and storytelling chops on display here is every bit the equal of Alan Moore at his mid-80s best – but the unification of author and artist as a single person gives this work a white-hot power beyond even Watchmen or From Hell. The tone is a cross between Mulholland Drive and It; the creature who lurks in darkness and cannot be challenged, the intrusion of the nightmare into daylight, how the sins of children become the sins of adults, and how no amount of time can ever forgive or forget the sins of the past. Also, there are lots of butterflies. There are images in this book that cannot be forgotten, juxtapositions of text and line that will explode your brain into that third place where comics happen.
Nijigahara Holograph is currently only available in scanlation and has yet to be licensed for the U.S. Read it now (then read this thread) and read it again.) Read it again when (if?) it comes to the U.S. You are going to be reading this comic for the rest of your life, and the sooner you get started, the better.