- Melonball Bounce – Raymond Scott
- Bitrate Variations in B-Flat – Beck
- Communication (Atom Remix) – Bonnie Pink
- Swisha – RATATAT
- Girl on the Wing – The Shins
- Alien Mind Bender – Pliant
- Come Into My World (Fischerspooner Remix) – Kylie Minogue
- Feel Good Inc. – Gorillaz
- Don’t Give Up – Basement Jaxx
- World’s End Supernova – くるり
- All is Full of Love (Plaid Mix) – Bjork
- Police and the Private – Metric
I’m really happy with the way Ersatz turned out; moreso than any mix since The Girl Will Scar You. Ersatz is loosely based on the works of Philip K. Dick; I tried to work in themes of paranoia, consumerism and the commodification of all things, the absence of free will, and despair with modern life. However, I also tried to make the album highly listenable and darkly uptempo.
To reflect the feeling of “unreality” that permeates Dick’s books, I used songs with chiptunes or highly processed instrumentation as a part of their sound. Ersatz sounds fairly different from other “dark” mixes I’ve done, and I think it’s the most “complete” mix I’ve made in ages. I hope you enjoy it!
(Fun fact: this album had the working title “Evil Beep.”)

CSS 2.0
December 23, 2006 at 1:19 am
Waah, my computer made me pay to start playing the mix, and then money ran out in the middle and I had to pay again! And then suddenly all the lyrics changed into ancient greek!
December 25, 2006 at 7:19 pm
Bitchin’ mix, sir. Again. ^^
December 25, 2006 at 10:11 pm
Whew! This font is making me dizzy… KERPLUNK!!
January 19, 2007 at 4:53 pm
http://www.variety.com/article/VR1117957532.html?categoryid=1236&cs=1&p=0
There is a god. Figured you’d like it more than most people.
January 20, 2007 at 3:52 am
Awesome! Another great mix, thanks much!!
January 21, 2007 at 10:58 am
I added a bunch of those to my iTunes library and your mix artwork carried over. Clever. That is practically magic.
January 22, 2007 at 4:54 am
Very fond of this one. I love how light and blippy it starts out, and how the bass just keeps layering on a bit more with each song.